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Conclusion

Catherine Baker

Catherine Baker is Lecturer in 20th Century History at the University of Hull, UK Author affiliation details are correct at time of print publication.

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Sounds of the Borderland : Popular Music, War and Nationalism in Croatia since 1991

Taylor & Francis Group, an informa business, 2010

Scholarly Books

...Croatia at the end of its second sovereign decade was a geopolitically secure but socially troubled country. Of the high-profile and divisive political leaders who had been involved in the ‘two transitions’, only Stipe Mesić remained...

Music without Borders?: After the Disintegration of Yugoslavia

Catherine Baker

Catherine Baker is Lecturer in 20th Century History at the University of Hull, UK Author affiliation details are correct at time of print publication.

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Sounds of the Borderland : Popular Music, War and Nationalism in Croatia since 1991

Taylor & Francis Group, an informa business, 2010

Scholarly Books

...The symbolic construction of a community depends on markers of exclusion as well as inclusion.See Cohen 1985. The promotion of Croatia’s independent nationhood and statehood as the former republic separated from the Yugoslav federation...

The Long March to the Top of the Social Ladder: Neo-Folk Music in Socialist Yugoslavia andPost-Socialist Serbia

The Bloomsbury Handbook of Popular Music and Social Class

Bloomsbury Academic, 2020

Scholarly Books

...In Southeastern Europe, as elsewhere in the world, folk music has been traditionally perceived, both by experts and society at large, as a repository of the national genius (Volksgeist). Consequently, at any period in history, attempts...

Music on the Market: Pop-Folk and Cultural Boundaries

Catherine Baker

Catherine Baker is Lecturer in 20th Century History at the University of Hull, UK Author affiliation details are correct at time of print publication.

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Sounds of the Borderland : Popular Music, War and Nationalism in Croatia since 1991

Taylor & Francis Group, an informa business, 2010

Scholarly Books

...Croatia after Tuđman was a 90 per cent ethnically homogenous country with a stable constitutional settlement and no serious threats to its integrity as a state. Of the 4.44 million inhabitants of Croatia registered by the 2001 census, 3.98...

Klapa Singing

Bloomsbury Encyclopedia of Popular Music of the World Volume XI : Genres: Europe

Bloomsbury Academic, 2017

Encyclopedia Articles

...Stories from Southern Klapa, a multipart singing tradition of the coastal and island part of Dalmatia (Southern Croatia), is a relatively old, continuous phenomenon that was first pointed to by researchers and musicologists at the end...

Zabavna Muzika

Bloomsbury Encyclopedia of Popular Music of the World Volume XI : Genres: Europe

Bloomsbury Academic, 2017

Encyclopedia Articles

...Zabavna muzika is an umbrella term used in the ­former Yugoslavia to mean ‘entertainment music.’ The exact meaning of the term underwent several changes during its lifetime in the twentieth century, from its sources in the early 1940s...

Music for the Nation: Creating a ‘Croatian’ Popular Music

Catherine Baker

Catherine Baker is Lecturer in 20th Century History at the University of Hull, UK Author affiliation details are correct at time of print publication.

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Sounds of the Borderland : Popular Music, War and Nationalism in Croatia since 1991

Taylor & Francis Group, an informa business, 2010

Scholarly Books

...There were many ways other than producing overtly patriotic songs for popular music to adopt and challenge the narratives of culture, politics and ethnicity which circulated in 1990s Croatia. The idea that a sovereign Croatia deserved...

Music at Arms: The Presidential Narrative of the War

Catherine Baker

Catherine Baker is Lecturer in 20th Century History at the University of Hull, UK Author affiliation details are correct at time of print publication.

Search for publications

Sounds of the Borderland : Popular Music, War and Nationalism in Croatia since 1991

Taylor & Francis Group, an informa business, 2010

Scholarly Books

...Popular music, like every aspect of everyday life, was dominated by the Homeland War during Croatia’s first months as an independent state. As the political, economic and cultural disintegration of the Yugoslav federation turned into armed...

Music in Protest: Nationalism Detached from the State

Catherine Baker

Catherine Baker is Lecturer in 20th Century History at the University of Hull, UK Author affiliation details are correct at time of print publication.

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Sounds of the Borderland : Popular Music, War and Nationalism in Croatia since 1991

Taylor & Francis Group, an informa business, 2010

Scholarly Books

...Tuđman’s death on 10 December 1999, little more than a fortnight short of worldwide celebrations to mark the new millennium, naturally appeared to be a milestone for Croatia. Public sympathy for the late president and a HDZ election...

Music at First Hand: Observing Three Musical Events

Catherine Baker

Catherine Baker is Lecturer in 20th Century History at the University of Hull, UK Author affiliation details are correct at time of print publication.

Search for publications

Sounds of the Borderland : Popular Music, War and Nationalism in Croatia since 1991

Taylor & Francis Group, an informa business, 2010

Scholarly Books

...The researcher, or at least this researcher, experiences popular music in a very different way to most of her informants. Once she has decided to make music an object of study, she is interested in what people say about it, who makes money...