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Electronic Information

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...The development of the Internet has transformed opportunities for the storage and distribution of information relating to popular music and has greatly increased its quantity and accessibility. It has also introduced unique possibilities...

Copies and the aesthetics of circulation

Margie Borschke

Margie Borschke is Senior Lecturer in Journalism and Media at Macquarie University in Sydney, Australia. She studies contemporary and historical media use and how it contributes to the production of knowledge and culture. Author affiliation details are correct at time of print publication.

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This is Not a Remix : Piracy, Authenticity and Popular Music

Bloomsbury Academic, 2017

Scholarly Books

...As I write this chapter, Kim Dotcom’s extradition trial is streaming live on the Internet. The contrast between the drama of his 2012 arrest, and the tedium of these important legal hearings is notable. Dotcom fought for this historic first...

On-Line Distribution

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...On-line distribution of music comprises any way of publishing music in a digital format (for example, on CD), by means of telecommunication networks and computers (‘digital telematic environment’).While many radio stations introduced audio...

Napster

Bloomsbury Encyclopedia of Popular Music of the World Volume II : Performance and Production

Continuum, 2003

Encyclopedia Articles

...Introduction Napster is the name of an Internet music company and of a real-time system by which Internet users can locate the MP3 files (a standard technology and format for compressing a sound sequence into a very...

E-commerce

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...Electronic commerce, or ‘E-commerce,’ is defined by the US Department of Commerce as ‘business transactions on the [World Wide] Web.’ This definition is comparatively versatile (for example, it can be taken to encompass business-to-business...

On Noise and Photography. Forest, Fuzz, Ruff

Greg Hainge

Greg Hainge is Reader in French and Head of the School of Languages and Comparative Cultural Studies at the University of Queensland. He is the author of Capitalism and Schizophrenia in the Later Novels of Louis-Ferdinand Céline and has published widely on cinema, music, critical theory and French literature Author affiliation details are correct at time of print publication.

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Noise Matters : Towards an Ontology of Noise

Bloomsbury Publishing Plc, 2013

Scholarly Books

...One Sunday stroll through the spaces of an art gallery filled with the usual fare, there came a break. I had seen many images of trees, painted with increasing levels of technical prowess and thus, one supposed, indexical veracity, and many...

Evolution, not revolution . . .

Jim Rogers

Jim Rogers is a Research Fellow and Associate Lecturer at the School of Communications, Dublin City University. His research focuses on the evolving form and nature of the media and cultural industries in the digital era. Author affiliation details are correct at time of print publication.

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The Death and Life of the Music Industry in the Digital Age

Bloomsbury Academic, 2013

Scholarly Books

...This book is about the popular music industry. However, as we noted in the opening pages, examining this industry in the early twenty-first century can also tell us something about how we understand our relationship with technology...

The Wes Anderson brand: New sincerity across media

Transmedia Directors : Artistry, Industry and New Audiovisual Aesthetics

Bloomsbury Academic, 2020

Scholarly Books

...Wes Anderson’s films are dominated by an aesthetic-affective response called ‘new sincerity’, a contemporary sensibility based on dynamic tension between two opposing forces: sincerity and irony. The values embodied in new sincerity...

Anxiety, Consumption, and Agency

Timothy D. Taylor

Timothy D. Taylor is Asssistant Professor of Music at Columbia University. He is author of Global Pop: World Music, World Markets, also published by Routledge. Author affiliation details are correct at time of print publication.

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Strange Sounds : Music, Technology, & Culture

Taylor & Francis Group, 2001

Scholarly Books

...A piano or a violin is just as inorganic as a synthesizer or a sampler.The introduction of every major new technology, at least in the course of the twentieth century, has been accompanied by a complex mixture of wonderment and anxiety...

Lipsynching to start your day: The soundtracked life

Merrie Snell

Merrie Snell has taught popular music studies at Newcastle University, UK, and fiction writing at University of Iowa, USA. Her fiction has appeared in multiple literary journals and she has exhibited sound/video works in Sweden and the UK, including Youghost, an installation based on Youtube lipsynching videos. Author affiliation details are correct at time of print publication.

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Lipsynching

Bloomsbury Academic, 2020

Scholarly Books

...A man and a woman are driving along a country road lipsynching to the Carpenters’ ‘Top of the World’. He drives, she works the car stereo. The video camera is mounted on the dashboard, so we see the couple head-on. The landscape recedes...