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...As the principal composer of music to soundtrack the mid-twentieth-century popular “spaghetti Western” film genre, Ennio Morricone brought to the form a modernist aesthetic couched within a romantic focus on leitmotif and visual...

If Beale Street Could Talk, what’d be playing in the background? First notes on music, film, time and memory

Transmedia Directors : Artistry, Industry and New Audiovisual Aesthetics

Bloomsbury Academic, 2020

Scholarly Books

...Film and sound recordings are illusory temporal media that require elapsed, clock timeI use this term in the way provided by Tamar Avnet and Anne-Lauer Sellier, ‘Clock Time vs. Event Time: Temporal Culture or Self-regulation?’ Journal...

Seen and Heard: Visible Playback Technology in Film

Tim McNelis

and

Elena Boschi

Elena Boschi is a Postdoctoral Teaching Fellow in Visual Communication at Liverpool Hope University. She completed her PhD on popular songs and cultural identities in contemporary Italian, Spanish and British cinema at the Institute of Popular Music (University of Liverpool) in 2011. She has published on songs in Radiofreccia (Luciano Ligabue, 1998), musical simulacra in Barrio (Fernando Léon de Aranoa, 1998) and the audiovisual style in the films of Wes Anderson (with Tim McNelis). Elena is also Translations Editor for the journal Music, Sound, and the Moving Image, and has published a translation of Ennio Morricone’s essay ’A Composer Behind the Film Camera’. --This text refers to the hardcover edition. Author affiliation details are correct at time of print publication.

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Ubiquitous Musics : The Everyday Sounds That We Don’t Always Notice

Taylor & Francis Group, 2013

Scholarly Books

...Whether we think of film music as a prominent narrative element or ‘inaudible’Claudia Gorbman, Unheard Melodies: Narrative Film Music (Bloomington, IN, 1987). score, movie soundtracks have long been an important element of people’s everyday...

‘Let me show you what that song really is’: Nicholas Britell on the music of Moonlight

Transmedia Directors : Artistry, Industry and New Audiovisual Aesthetics

Bloomsbury Academic, 2020

Scholarly Books

...In the ‘diner’ sequence of Barry Jenkins’s 2016 film Moonlight, Chiron, the film’s quiet protagonist, has driven from Atlanta to meet up with Kevin, a friend from his youth, who now runs a greasy spoon in their childhood home city of Miami....

The world of Wes Anderson and Mark Mothersbaugh: Between childhood and adulthood in The Royal Tenenbaums

Transmedia Directors : Artistry, Industry and New Audiovisual Aesthetics

Bloomsbury Academic, 2020

Scholarly Books

...For many years, Wes Anderson’s movies have been described in terms of the director’s unique and distinctive world. The press accompanying The Grand Budapest Hotel (2014) offered to take readers on a ‘Tour of Wes Anderson’s World’, while...

The audiovisual eerie: Transmediating thresholds in the work of David Lynch

Holly Rogers

Holly Rogers is Reader in Music at Goldsmiths, University of London. She is author of Sounding the Gallery: Video and the Rise of Art-Music (2013) and editor of Music and Sound in Documentary Film (2014) and The Music and Sound of Experimental Film (2017). Author affiliation details are correct at time of print publication.

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Transmedia Directors : Artistry, Industry and New Audiovisual Aesthetics

Bloomsbury Academic, 2020

Scholarly Books

...David Lynch’s sonic resonances echo through projects and media. Pulsating room tone, eerie acousmêtre, electronic wash, static drones, thwarted resolutions and remediated retro textures frequently trouble the image, while imploding...

Carl Davis Interview

Simon Trezise

Simon Trezise is Associate Professor in the Department of Music, Trinity College Dublin. He is the editor of The Cambridge Companion to French Music. Author affiliation details are correct at time of print publication.

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Music and Sound in Silent Film : From the Nickelodeon to The Artist

Taylor & Francis Group, 2019

Scholarly Books

...‘Après une lecture de Dante: Fantasia quasi Sonata’, 1849, published in volume 2 of Années de pèlerinage, 1856.The tango is a South American dance originating in the 1880s on the border between Argentina and Uruguay.The series is still...

Roundtable

The Routledge Companion to Screen Music and Sound

Taylor & Francis Group, an informa business, 2017

Scholarly Books

...The question of the relationship between sound and music on one hand, and narrative and narrativity on the other, has long been at the center of our field. But we are at a very important moment where, for the first time, audiovisual...

Popular Music and the Religious Screen

The Bloomsbury Handbook of Religion and Popular Music

Bloomsbury Academic, 2017

Scholarly Books

...In the beginning was the Word,And the Word was with God, and the Word was God.And the Word dwelt amongst us as Alanis Morisette. Alanis Morissette (God) at the end of the film Dogma (Directed by Kevin Smith 1999) destroys the two fallen...

Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927

Kendra Preston Leonard

My thanks to Jonathan Mummolo and Rachel Barker-Asto for their assistance in locating and providing archival materials for this essay.  Author affiliation details are correct at time of print publication.

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Music and Sound in Silent Film : From the Nickelodeon to The Artist

Taylor & Francis Group, 2019

Scholarly Books

...My thanks to Jonathan Mummolo and Rachel Barker-Asto for their assistance in locating and providing archival materials for this essay.Between 1908 and 1927, when sound film became standard, numerous American publications for both those...