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...The global face of the UK’s grime music scene, Dizzee Rascal rode the late 1990s wave of electronic dance music to become one of the idiom’s first major artists to achieve pop stardom. He was born Dylan Mills in London in 1984; his father...

The Sonic Politics of Place: Dusk + Blackdown’s Margins Music (2008)

Carla J. Maier

Carla J. Maier is a Marie Curie Research Fellow at the University of Copenhagen, Denmark. Author affiliation details are correct at time of print publication.

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Transcultural Sound Practices : British Asian Dance Music as Cultural Transformation

Bloomsbury Academic, 2020

Scholarly Books

...This chapter explores the relevant sound practices in Margins Music, the 2008 album by London-based producers Dan Frampton, also known as Dusk and Martin Clark, also known as Blackdown who form the production team Dusk + Blackdown...

Grime and YouTube music videos

Malcolm James

Malcolm James is a Senior Lecturer in Media and Cultural Studies at the University of Sussex, UK. Author affiliation details are correct at time of print publication.

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Sonic Intimacy : Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos

Bloomsbury Academic, 2020

Scholarly Books

...It’s 2008. New Labour is burning out and the aspirational sloganeering they specialize in is bleeding into Tory austerity dogma. YouTube has recently been purchased by Google and the platform has expanded rapidly, becoming popular...

Introduction: Somewhere between the signifying and the sublime

Marie Thompson

Marie Thompson is a Lecturer in Media, Sound and Culture at Lincoln School of Film and Media, University of Lincoln, UK. She is the co-editor of Sound, Music, Affect: Theorizing Sonic Experience (Bloomsbury, 2013). Author affiliation details are correct at time of print publication.

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and

Ian Biddle

Ian Biddle is a cultural theorist and musicologist, working on a range of topics in musicand sound-related areas. He is co-founder and co-ordinating editor of the journal Radical Musicology and is co-convenor, with Beate Müller, of the Newcastle University Genocide Research Group. His work deals with: the cultural history of music and masculinity; music's intervention in communities and subjectivities; sound, soundscapes and urban experience; the politics of noise. He has interests in Holocaust studies, memory studies, sound studies, Italian workerist and autonomist theory and psychoanalysis. He is author of Music, Masculinity and the Claims of History: The Austro-German Tradition from Hegel to Freud (Ashgate, 2011), editor of Music and Identity Politics (Ashgate, 2012), co-editor, with Kirsten Gibson, of Masculinity and Western Musical Practice (Ashgate, 2009) and co-editor of Sound, Music Affect: Theorizing Sonic Experience (2013). Author affiliation details are correct at time of print publication.

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Sound, Music, Affect : Theorizing Sonic Experience

Bloomsbury Academic, 2013

Scholarly Books

...Perhaps the most everyday understanding that people have of affect comes from both music and from children (especially infants). In an encounter with either there are moments of unspeakable, unlocatable sensation that regularly occur...

Jungle pirate radio and hype

Malcolm James

Malcolm James is a Senior Lecturer in Media and Cultural Studies at the University of Sussex, UK. Author affiliation details are correct at time of print publication.

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Sonic Intimacy : Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos

Bloomsbury Academic, 2020

Scholarly Books

...Introduction Goes out to all the massive locked in … Shout out to all those who are getting cotch time to stick a tape in … Sending the maximum moves out to the Guvnor. Hold tight Smurf. Goes out to the Ragga Twins, hold tight Flinty, hold...

Grime

Bloomsbury Encyclopedia of Popular Music of the World Volume XI : Genres: Europe

Bloomsbury Academic, 2017

Encyclopedia Articles

...Grime is an MC-based electronic music genre that developed out of the UK garage scene. Influenced also by dancehall reggae and hip-hop, it first emerged in London in the early 2000s. As noted by Reynolds (2008), grime initially took...

Garage, UK

Bloomsbury Encyclopedia of Popular Music of the World Volume XI : Genres: Europe

Bloomsbury Academic, 2017

Encyclopedia Articles

...The main stylistic precursor of UK garage was an American subgenre of house music associated with New York’s Paradise Garage venue, where the key DJ was Larry Levan. However, the DJ who is credited with defining US garage was Tony Humphries...

Hip-Hop in the UK

Bloomsbury Encyclopedia of Popular Music of the World Volume XI : Genres: Europe

Bloomsbury Academic, 2017

Encyclopedia Articles

...US hip-hop found its way into the UK through British sound system culture, which had been well established in the country since its introduction from Jamaica in the 1950s. Although perhaps unsurprising, considering the way that sound system...