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...Luminary in the history of industrial music, Cabaret Voltaire was formed in 1973 in Sheffield, England by Richard H. Kirk, Stephen Mallinder, and Chris Watson. The band borrowed its name from the historic club in Zurich, Switzerland...

Brace and embrace: Masochism in noise performance

Paul Hegarty

Paul Hegarty teaches Philosophy and Visual Culture at University College Cork, Ireland. He is the author of Noise/Music (Bloomsbury, 2007) and co-series editor of the Ex:Centrics series with Bloomsbury. He jointly runs the experimental record label dotdotdotmusic, and performs in the noise bands Safe and La Société des Amis du Crime. Author affiliation details are correct at time of print publication.

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Sound, Music, Affect : Theorizing Sonic Experience

Bloomsbury Academic, 2013

Scholarly Books

...For well over 30 years now, there have been variations on avant-garde music that have been identified as somehow ‘noise’. Today, there are multiple genres aspiring to be part of noise music, with varying degrees of noisiness. But to think...

Power

Paul Hegarty

Paul Hegarty teaches Philosophy and Visual Culture at University College Cork, Ireland. He is the author of Noise/Music (Bloomsbury, 2007) and co-series editor of the Ex:Centrics series with Bloomsbury. He jointly runs the experimental record label dotdotdotmusic, and performs in the noise bands Safe and La Société des Amis du Crime. Author affiliation details are correct at time of print publication.

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Noise Music : A History

Bloomsbury Publishing Plc, 2007

Scholarly Books

...From Throbbing Gristle to the industrial music of the late 1980s (Skinny Puppy, Ministry, Consolidated), power is an essential part of the content and/or ‘message’ of industrial music—the use of samples from politicians or religious...

The Mash-Up of Aesthetics, Theory and Politics in Laibach’s Meta-Sound

Mute Records : Artists, Business, History

Bloomsbury Academic, 2019

Scholarly Books

...Prelude The time is 1983; the place is Ljubljana. Laibach are being interviewed by local television presenter Jure Pengov for the Slovenian/Yugoslav cultural and political television show Tednik. What seems like an example of regular...

Throbbing Gristle’s Early Records: Post-Hippie/Pre-Punk/Post-Punk

Mute Records : Artists, Business, History

Bloomsbury Academic, 2019

Scholarly Books

...The set-up Throbbing Gristle made a unique intervention into popular culture that bridged confrontational performance art (and more generally a cross-disciplinary approach...

Spread the Virus: Affective prophecy in industrial music

Sound, Music, Affect : Theorizing Sonic Experience

Bloomsbury Academic, 2013

Scholarly Books

...Don’t the necessary weapons reside precisely within the creative and prophetic power of the multitude? (Hardt and Negri 2001: 65)Someone told us after watching us work in the studio that it was like the ‘street’ amplified through some...

Audiovision and Gesamtkunstwerk: The Aesthetics of First- and Second-Generation Industrial Music Video

Michael Goddard

Michael N. Goddard is Senior Lecturer and Course Leader in Film, Television and Moving image at the University of Westminster, UK. Author affiliation details are correct at time of print publication.

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Music/Video : Histories, Aesthetics, Media

Bloomsbury Academic, 2017

Scholarly Books

...Introduction: Industrial music, video, and audiovision Michel Chion has famously and provocatively referred to film as a sound art (Chion 2009), developing his earlier reading of cinema in the synaesthetic audiovisual terms of audiovision...

Nine Inch Nails’ Year Zero and the Biopolitics of Media Convergence

The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror

Taylor & Francis Group, an informa business, 2011

Scholarly Books

...After the events of September 11, 2001, popular music provided a forum where artists like Nine Inch Nails’ Trent Reznor could speak out against changes in American domestic and foreign policy that, arguably, curtailed civil liberties...

Eon Cores: Noise Prospecting in A Personal Sonic Geology

Paul Hegarty

Paul Hegarty teaches Philosophy and Visual Culture at University College Cork, Ireland. He is the author of Noise/Music (Bloomsbury, 2007) and co-series editor of the Ex:Centrics series with Bloomsbury. He jointly runs the experimental record label dotdotdotmusic, and performs in the noise bands Safe and La Société des Amis du Crime. Author affiliation details are correct at time of print publication.

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Annihilating Noise

Bloomsbury Academic, 2021

Scholarly Books

...Noise is a beginning, noise is an ending. Or so many have said. For lovers of the origin, the arch-ists, we have the Big Bang, and we have cosmic background radiation. Hillel Schwarz tried to put this end to end in his Making Noise: From...

Industry

Paul Hegarty

Paul Hegarty teaches Philosophy and Visual Culture at University College Cork, Ireland. He is the author of Noise/Music (Bloomsbury, 2007) and co-series editor of the Ex:Centrics series with Bloomsbury. He jointly runs the experimental record label dotdotdotmusic, and performs in the noise bands Safe and La Société des Amis du Crime. Author affiliation details are correct at time of print publication.

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Noise Music : A History

Bloomsbury Publishing Plc, 2007

Scholarly Books

...In the shadow of punk, something that would come to be called industrial music was being made. Like punk, industrial music was suspicious of musicality, but its hatred of contemporary art and society went deeper, its critique harsher...