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Journalistic Practises

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...Introduction Music journalism can be defined as the practise of reporting or writing about music for publication in specialist or nonspecialist print media, including the music press, life-style magazines, newspapers, biographies...

Music Press

Marion Leonard

,

Marion Leonard

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Robert Strachan

,

Robert Strachan

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Gwen Ansell

,

Steve Jones

,

Olivier Julien

,

Olivier Julien is a lecturer in the history and musicology of popular music at Paris-Sorbonne University, France. Author affiliation details are correct at time of print publication.

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Claire Levy

,

Christian Mörken

Christian Mörken

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and

Masahiro Yasuda

Masahiro Yasuda

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Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...The music press – magazines, newspapers or journals primarily concerned with popular music – constitutes an important medium through which information about music and the meanings of popular music are negotiated, created and disseminated...

Trade Press

Dave Laing

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...‘Trade press’ denotes the ensemble of newspapers and magazines devoted solely to events within a particular industry. Its target readership is the members of that industry rather than consumers. Contemporary popular music trade publications...

Fanzines

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...The fanzine is an amateur form of publishing, one that is prompted less by commercial gain than by an enthusiasm for its subject. It is written, edited and produced by fans. To establish a fanzine is to provide an alternative...

‘I Am Telling You Because You Are Far Away’: Internationalism and Sarah’s Written Communiqués

Michael White

Michael White has been writing about popular and underground music, for publications in his native Canada and internationally, for 20 years. Author affiliation details are correct at time of print publication.

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Popkiss : The Life and Afterlife of Sarah Records

Bloomsbury Academic, 2015

Scholarly Books

...Those who found themselves in the company of Matt Haynes often struggled to reconcile the personality they thought they knew from his fanzines – blunt, righteous, hilarious, opinionated to such a degree that he occasionally seemed enraged...

Paying more close anxious attention to Joy Division

Helen Pleasance

Helen Pleasance is Senior Lecturer in Creative Writing and English Literature at York St. John University, UK. Her research interests include contemporary fiction and creative non-fiction in all its forms, especially memoir, biography, true crime and hybrid forms. Author affiliation details are correct at time of print publication.

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Music, Memory and Memoir

Bloomsbury Academic, 2019

Scholarly Books

...It is a Friday in early spring 1984; the last day of my second term at Sussex University. I’m living on campus in a hall of residence. There is a carnival atmosphere among the first years today. Most of the halls will be vacated...

Popular music and beyond

Bethany Klein

Bethany Klein is Professor of Media and Communication at the University of Leeds, UK. She is the author of As Heard on TV: Popular Music in Advertising (2009) and co-author of Understanding Copyright: Intellectual Property in the Digital Age (2015). Author affiliation details are correct at time of print publication.

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Selling Out : Culture, Commerce and Popular Music

Bloomsbury Academic, 2020

Scholarly Books

...This book has focused on the commercialization of popular music culture through the lens of selling out, a discourse which since the 1960s has provided a route for policing the role of commerce in popular music. In recent years, attitudes...

Poet is priest: Julian H. Cope’s subversive biography

Music, Memory and Memoir

Bloomsbury Academic, 2019

Scholarly Books

...Since disbanding Liverpudlian psych post-punkers The Teardrop Explodes in 1982, front-man Julian Cope has sustained a long and varied career. At the time of writing, Cope’s discography extends to thirty solo albums plus numerous...

Challenges for European jazz networking

José Dias

José Dias is Senior Lecturer in Music at Manchester Metropolitan University, UK, and a jazz researcher, documentarist, composer and musician. He has developed research on European jazz and music for screen and has scored music for theatre, contemporary dance and film. Author affiliation details are correct at time of print publication.

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Jazz in Europe : Networking and Negotiating Identities

Bloomsbury Academic, 2019

Scholarly Books

...Introduction Jazz struggles as ever before to find its place within the wider spectrum of the European cultural offer, to attract funding, sponsorships and new audiences, to gain print and broadcast media exposure and to cope...

New rules for the new music economy? [Part two]

Jim Rogers

Jim Rogers is a Research Fellow and Associate Lecturer at the School of Communications, Dublin City University. His research focuses on the evolving form and nature of the media and cultural industries in the digital era. Author affiliation details are correct at time of print publication.

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The Death and Life of the Music Industry in the Digital Age

Bloomsbury Academic, 2013

Scholarly Books

...In Chapter 5, arguments were advanced regarding the potential usefulness of blogs, online audio- and video-streaming services, social networking sites and other online music discussion and review platforms in assisting an emerging artist...