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  • Music, Sound and the Senses
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Video, priming and music

Sporting Sounds : Relationships between sport and music

Taylor & Francis Group, an informa business, 2009

Scholarly Books

...Ȁνδρα μoƖ ὲ´ννεπε, Moῠσα. Πoλύτρoπoν, ό´ς μάλα πoλλά πoλάγχθη, ὲπεί Tρoίης ίερòν πτoλίεθρoν ὲ´περσε·Homer, Odyssey, trans. A.T. Murray, Cambridge, MA: Harvard University Press, 1919. Online, available...

Introduction

John Bale

John Bale (21 November 1495 – November 1563) was an English churchman, historian and controversialist, and Bishop of Ossory. He wrote the oldest known historical verse drama in English (on the subject of King John), and developed and published a very extensive list of the works of British authors down to his own time, just as the monastic libraries were being dispersed. His unhappy disposition and habit of quarrelling earned him the nickname “bilious Bale”. Author affiliation details are correct at time of print publication.

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Anthony Bateman

Anthony Bateman is an Honorary Visiting Research Fellow at the International Centre for Sports History and Culture, De Montfort University, UK. He is co-editor of Sporting Sounds: Relationships Between Sport and Music. Author affiliation details are correct at time of print publication.

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Sporting Sounds : Relationships between sport and music

Taylor & Francis Group, an informa business, 2009

Scholarly Books

...In 1993 a paper was published in the Sociology of Sport Journal stating that ‘music has received very little attention among sports scholars’.Eldon Snyder, ‘Responses to musical selections and sport: an auditory elicitation approach...

Atmospheres – Schmitz, Massumi and beyond

Music as Atmosphere : Collective Feelings and Affective Sounds

Taylor & Francis Group, 2020

Scholarly Books

...This short discussion piece engages with a phenomenological approach to atmospheres, focussing on the work of Hermann Schmitz. Against a background of agreement on the contours of an understanding of atmospheres and their relevance...

Imaginary magnitudes and the anoriginal hypocrisy that vanishes in the meantime

David Cecchetto

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David Cecchetto is Associate Professor of Critical Digital Theory in the Department of Humanities at York University, Canada and a member of the experimental theory group “The Occulture.” Author affiliation details are correct at time of print publication.

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Marc Couroux

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Marc Couroux is Associate Professor of Visual Art in the School of the Arts, Media, Performance & Design at York University, Canada and a member of the experimental theory group “The Occulture.” Author affiliation details are correct at time of print publication.

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Ted Hiebert

Ted Hiebert is Associate Professor in the School of Interdisciplinary Arts & Sciences at the University of Washington, Bothell, USA and a long-time collaborator of “The Occulture.” Author affiliation details are correct at time of print publication.

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Eldritch Priest

Eldritch Priest is Assistant Professor in the School for the Contemporary Arts at Simon Fraser University, Canada and writes on sonic culture, experimental aesthetics, and the philosophy of experience from a 'pataphysical perspective. He is the author of Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure (2013) as well as numerous journal articles. Eldritch is also a composer. His works have been performed in Canada, the United States, Netherlands, and the United Kingdom. Author affiliation details are correct at time of print publication.

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Ludic Dreaming : How to Listen Away from Contemporary Technoculture

Bloomsbury Academic, 2017

Scholarly Books

...One has to secrete a jelly in which to slip quotations down people’s throats—and one always secretes too much jelly.—Virginia WoolfLast night I dreamed I had the imagination of a machine. But it was not what I expected. There was nothing...

Spectral Catalysis: Disquieting Encounters

Paul C. Jasen

Paul C. Jasen is a Lecturer in Music and Communication Studies at Carleton University, Canada. Author affiliation details are correct at time of print publication.

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Low End Theory : Bass, Bodies and the Materiality of Sonic Experience

Bloomsbury Academic, 2016

Scholarly Books

...spectrum 1 a after Newton: a continuum of frequencies of electromagnetic radiation or mechanical vibration b any distribution (of parts, qualities, phenomena) across a population 2 in Goethe and Schopenhauer: retinal afterimage, a sensorial...

Coda

The Bloomsbury Handbook of the Anthropology of Sound

Bloomsbury Academic, 2020

Scholarly Books

...There is something mysterious about sensory experiences. Reading the chapters in this section, this mysteriousness shows up several times: in the way, for instance, that sound, tissue, and muscles enter into an organic, colorful dance...

Dim, massive and important

Music as Atmosphere : Collective Feelings and Affective Sounds

Taylor & Francis Group, 2020

Scholarly Books

...It is not true that there is a definite area of human consciousness, within which there is clear discrimination and beyond which mere darkness. [. . .] The basic fact is the rise of an affective tone originating from things whose relevance...

Dreamings

Jordan Lacey

Jordan Lacey is a sound artist and urban design researcher based in Melbourne, Australia. Author affiliation details are correct at time of print publication.

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Sonic Rupture : A Practice-led Approach to Urban ­Soundscape Design

Bloomsbury Academic, 2016

Scholarly Books

...Sonic Rupture dreams of future cities that might begin to hum as the Earth has always hummed. It has been argued that by concealing the Earth’s surfaces with a homogenous urban crust, we reduce our capacity to experience the full range...

Nonsense II

Eldritch Priest

Eldritch Priest is Assistant Professor in the School for the Contemporary Arts at Simon Fraser University, Canada and writes on sonic culture, experimental aesthetics, and the philosophy of experience from a 'pataphysical perspective. He is the author of Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure (2013) as well as numerous journal articles. Eldritch is also a composer. His works have been performed in Canada, the United States, Netherlands, and the United Kingdom. Author affiliation details are correct at time of print publication.

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Boring Formless Nonsense : Experimental Music and the Aesthetics of Failure

Bloomsbury Publishing Plc, 2013

Scholarly Books

...Inconclusion Perhaps you’ve noticed how the first part of this chapter makes a theme or a drama of the inconsistencies and discrepancies that are juggled in the first two chapters. However, in this drama I’m not trying to resolve...

Inner Voice, Self-Talk

Brandon LaBelle

Brandon LaBelle is an artist, writer, and theorist working with sound culture, voice, and questions of agency. His books Acoustic Territories, Second Edition (2019), Background Noise, Second Edition (2015), and Lexicon of the Mouth (2014), are all published by Bloomsbury Academic. He is the Editor of Errant Bodies Press, Berlin, and Professor at the Art Academy, University of Bergen, Norway. Author affiliation details are correct at time of print publication.

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Lexicon of the Mouth : Poetics and Politics of Voice and the Oral Imaginary

Bloomsbury Publishing Inc, 2014

Scholarly Books

...In thinking about what to say, I hear the silence within. It starts as an unidentifiable collection, a hesitant murmuring—I see it almost as a darkness that begins to move, an uncertain matter in pursuit of form. Something starts...