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Listening

Paul Hegarty

Paul Hegarty teaches Philosophy and Visual Culture at University College Cork, Ireland. He is the author of Noise/Music (Bloomsbury, 2007) and co-series editor of the Ex:Centrics series with Bloomsbury. He jointly runs the experimental record label dotdotdotmusic, and performs in the noise bands Safe and La Société des Amis du Crime. Author affiliation details are correct at time of print publication.

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Noise Music : A History

Bloomsbury Publishing Plc, 2007

Scholarly Books

...There is no sound, no noise, no silence, even, without listening. The range of audible sound is just that: ‘of audible sound’. Certain wavelengths register as sound to those who have evolved a capacity for it. But listening is more than...

On Noise and Music. Concrete (reprise), Woolly Mammoth

Greg Hainge

Greg Hainge is Reader in French and Head of the School of Languages and Comparative Cultural Studies at the University of Queensland. He is the author of Capitalism and Schizophrenia in the Later Novels of Louis-Ferdinand Céline and has published widely on cinema, music, critical theory and French literature Author affiliation details are correct at time of print publication.

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Noise Matters : Towards an Ontology of Noise

Bloomsbury Publishing Plc, 2013

Scholarly Books

...Noise exploratory sonic surgery by Doctor Merzbow … sounds elicited from the junk and detritus of his own life, wrapped in cast-off porn … cut-ups, loops, scavenged sounds and confusion – like a good cathartic brainwashing by your local...

Introduction

Stephen Kennedy

Stephen Kennedy is a researcher and lecturer in critical theory and the digital arts at the University of Greenwich, UK. Author affiliation details are correct at time of print publication.

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Future Sounds : The Temporality of Noise

Bloomsbury Academic, 2018

Scholarly Books

...This book sets out to explore the proposition that there exists a realm, or a temporal dimension, where infinite formulations occur and reoccur, creating patterns that can be taken to constitute the entirety of our universe. Such patterns...

Archive: Indestructible Energy: Seeing Noise

Resonances : Noise and Contemporary Music

Bloomsbury Publishing Plc, 2013

Scholarly Books

...To me, noise gigs illustrate Carl Jung’s concept of synchronicity, the relationship between seemingly random events that develops into an expression of a deeper order, creating an Indestructible Energy. Image List Damo Suzuki –...

Technostalgia and the Resurgence of Cassette Culture

The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror

Taylor & Francis Group, an informa business, 2011

Scholarly Books

...The Picador, Iowa City, Iowa, 2008. Photo courtesy of Mark PalmbergBefore I heard that cassette tapes were coming back into style, I saw it—painted larger than life on a building in downtown Iowa City. It was the fall of 2007, and the rock...

First

Paul Hegarty

Paul Hegarty teaches Philosophy and Visual Culture at University College Cork, Ireland. He is the author of Noise/Music (Bloomsbury, 2007) and co-series editor of the Ex:Centrics series with Bloomsbury. He jointly runs the experimental record label dotdotdotmusic, and performs in the noise bands Safe and La Société des Amis du Crime. Author affiliation details are correct at time of print publication.

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Noise Music : A History

Bloomsbury Publishing Plc, 2007

Scholarly Books

...Existence and the world seem justified only as an aesthetic phenomenon. In this sense, it is precisely the tragic myth that has to convince us that even the ugly and disharmonic are part of an artistic game that the will in the eternal...

Introduction Noise: A useless concept?

Marie Thompson

Marie Thompson is a Lecturer in Media, Sound and Culture at Lincoln School of Film and Media, University of Lincoln, UK. She is the co-editor of Sound, Music, Affect: Theorizing Sonic Experience (Bloomsbury, 2013). Author affiliation details are correct at time of print publication.

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Beyond Unwanted Sound : Noise, Affect and Aesthetic Moralism

Bloomsbury Academic, 2017

Scholarly Books

...Ideally, for me the word noise (bruit) is one that we ought to be able to do without… Acoustically as well as aesthetically, it is a word that promotes false ideas.In his essay ‘Let’s have done with the notion of “Noise,”’ the composer...

Sound Art

Paul Hegarty

Paul Hegarty teaches Philosophy and Visual Culture at University College Cork, Ireland. He is the author of Noise/Music (Bloomsbury, 2007) and co-series editor of the Ex:Centrics series with Bloomsbury. He jointly runs the experimental record label dotdotdotmusic, and performs in the noise bands Safe and La Société des Amis du Crime. Author affiliation details are correct at time of print publication.

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Noise Music : A History

Bloomsbury Publishing Plc, 2007

Scholarly Books

...According to Walter Benjamin, western art moves away from art having a sacred value toward having exhibition value. Art’s value becomes secular, aesthetic and social. It moves from sacred buildings to private ones, and gradually becomes...

Xenakian Sound Synthesis: Its Aesthetics and Influence on ‘Extreme’ Computer Music

Resonances : Noise and Contemporary Music

Bloomsbury Publishing Plc, 2013

Scholarly Books

...Introduction This chapter presents a genealogy of the noise music offshoot known variously as ‘extreme’, or ‘radical’ computer music, as well as ‘computer noise’. But the musicological typologies of offshoots and sub-genres that we...

After Generation: Pharmakon, Puce Mary and the Spatialized, Gendered Avant-Garde

Paul Hegarty

Paul Hegarty teaches Philosophy and Visual Culture at University College Cork, Ireland. He is the author of Noise/Music (Bloomsbury, 2007) and co-series editor of the Ex:Centrics series with Bloomsbury. He jointly runs the experimental record label dotdotdotmusic, and performs in the noise bands Safe and La Société des Amis du Crime. Author affiliation details are correct at time of print publication.

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Annihilating Noise

Bloomsbury Academic, 2021

Scholarly Books

...I It is a commonplace that the avant-garde unfolds over time, one movement or practice cresting and falling back as another surges on, replete with the discoveries of the preceding roll. Whilst avant-garde art wants to be radical...