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Intruders Touching You

Holger Schulze

Holger Schulze is Professor of Musicology at the University of Copenhagen and Principal Investigator at the Sound Studies Lab. He is the author of numerous books including Sound as Popular Culture (2016) and The Sonic Persona (Bloomsbury, 2017). Author affiliation details are correct at time of print publication.

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The Bloomsbury Handbook of Sound Art

Bloomsbury Academic, 2020

Scholarly Books

...I am alone with this woman now. I do not know her. I was assigned a place to sit down and told how to behave. The door has been closed. Firmly. She is sitting somewhere in the back of the long concrete room we are in. The lights are low. I...

The Acoustic Computer

Lars Nyre

Lars Nyre is an Associate Professor at the University of Bergen and Volda University College, Norway. He is chair of the research network Digital Radio Cultures in Europe (www.drace.org) and has published articles about mass media in research journals including Journalism Studies and the Journal of Radio and Audio Media Author affiliation details are correct at time of print publication.

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Sound Media : From Live Journalism to Music Recording

Taylor & Francis Group, 2008

Scholarly Books

...The computer has rich opportunities for experiments in journalism and music, and my history must begin here. It is truly interesting that much of this experimentation takes place among ordinary people, at their home computer. Innovation...

Sound as poem

Seán Street

Seán Street is Emeritus Professor of Radio at Bournemouth University. He is author of The Poetry of Radio: The Colour of Sound (Routledge, 2013). He is also a regular broadcaster on BBC Radio 3 and Radio 4 and a poet, with nine published collections. He lives in Liverpool, UK. Author affiliation details are correct at time of print publication.

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The Poetry of Radio : The Colour of Sound

Taylor & Francis Group, an informa business, 2012

Scholarly Books

...Listening as participation In 1978 the actor Andrew Sachs, working with the producer, Glyn Dearman, created The Revenge – a Play Without Words, for BBC Radio 3. It was an experiment; a 25-minute drama using no dialogue, instead relying...