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Reproduction

Dave Laing

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...In copyright law, ‘reproduction’ refers to the making of copies in any form, from printed music to phonograms or soundcarriers, and even in non-material form through ‘on-line’ digital distribution. The production of copies of sound...

Bootleg

Dave Laing

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...The term ‘bootleg’ is borrowed from the Prohibition era in the United States, when illegal alcohol was popularly known as ‘bootleg liquor’ after the practise of concealing bottles in the leg of a boot, and it denotes a product that is made,...

Home Taping

Dave Laing

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...‘Home taping’ refers to the practise of using a tape recorder to copy copyrighted works or recordings from broadcasts or sound or video recordings for domestic, noncommercial use. The legal term ‘private copying’ emphasizes the difference...

Six Types of Silence

Richard Osborne

Richard Osborne is Senior Lecturer in Popular Music at Middlesex University, UK. Prior to becoming a lecturer he worked in record shops, held various posts at PRS for Music, and co-managed a pub. He is the author of Vinyl: A History of the Analogue Record (2012). Author affiliation details are correct at time of print publication.

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Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

...In 2012 the Hayward Gallery in London hosted an exhibition devoted to “Invisible Art.” White canvases and empty plinths were put on display. The exhibition was revelatory, not least in outlining the extent and variety of intangible works...

Authenticity in Music Production

Mike Alleyne

Mike Alleyne is a Professor in the Department of Recording Industry at Middle Tennessee State University, USA. He is the author of The Encyclopedia of Reggae: The Golden Age of Roots Reggae (2012) and contributing editor of Rhythm Revolution: A Chronological Anthology of American Popular Music - 1960s to 1980s (2015). Author affiliation details are correct at time of print publication.

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The Bloomsbury Handbook of Music Production

Bloomsbury Academic, 2020

Scholarly Books

...Authenticity and production Few terms are as problematic as authenticity in relation to popular music and record production, and consequently its very application in these contexts is frequently reconsidered by musical and academic...

The new romantics

Margie Borschke

Margie Borschke is Senior Lecturer in Journalism and Media at Macquarie University in Sydney, Australia. She studies contemporary and historical media use and how it contributes to the production of knowledge and culture. Author affiliation details are correct at time of print publication.

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This is Not a Remix : Piracy, Authenticity and Popular Music

Bloomsbury Academic, 2017

Scholarly Books

...The participatory, collaborative and open character of networked digital media is thought to disrupt and challenge romantic assumptions and ideals about authorship, authenticity, and creative expression, concepts that underpin most...

Reproducing – Supporting – Generating – Interacting: Four Approaches towards Microphones and Loudspeakers

Cathy van Eck

Cathy van Eck is a composer, sound artist, and researcher in the arts with an interest in relationships between everyday objects, human performers, and electronic sound. She holds a Ph.D. of Leiden University and is lecturer at the University of the Arts in Bern. Author affiliation details are correct at time of print publication.

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Between Air and Electricity : Microphones and Loudspeakers as Musical Instruments

Bloomsbury Academic, 2017

Scholarly Books

...Made for music: Concepts on musical instruments Music, in general, seems to be made with the help of musical instruments. The assumption that music is made with instruments seems to be so largely accepted that there is little doubt about...

Copy, a brief history

Margie Borschke

Margie Borschke is Senior Lecturer in Journalism and Media at Macquarie University in Sydney, Australia. She studies contemporary and historical media use and how it contributes to the production of knowledge and culture. Author affiliation details are correct at time of print publication.

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This is Not a Remix : Piracy, Authenticity and Popular Music

Bloomsbury Academic, 2017

Scholarly Books

...What does it mean to deem an artifact a copy? Does it matter that copies and replication are central to the functioning of digital technologies? In this chapter I summarize some pivotal ideas about copies and copying in ancient...

The Hallucinatory Life of Tape

Paul Hegarty

Paul Hegarty teaches Philosophy and Visual Culture at University College Cork, Ireland. He is the author of Noise/Music (Bloomsbury, 2007) and co-series editor of the Ex:Centrics series with Bloomsbury. He jointly runs the experimental record label dotdotdotmusic, and performs in the noise bands Safe and La Société des Amis du Crime. Author affiliation details are correct at time of print publication.

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Annihilating Noise

Bloomsbury Academic, 2021

Scholarly Books

...I It would be easy to see tape as part of a sequence in the development of increasingly perfect means of reproducing recorded sound. It would take its place after wax cylinders, shellac records, wire; alongside vinyl of varying formats...

The Instrument as Medium Phonographic Work

The Bloomsbury Handbook of Sound Art

Bloomsbury Academic, 2020

Scholarly Books

...“Hello! My name is Rhianna and welcome to my little space dedicated to binaural sounds, whispers and relaxation:)” writes ASMRMagic on her channel info on YouTube. Shiny varnished fingernails touch a mysterious technical object, which forms...